2. Of Tutus and Chances

This past weekend marks the first time I have gotten to wear a tutu in over a year. It was also my third rehearsal at Baltimore Ballet for Swan Lake Act II, which we are performing in two weeks. For me, the highlight of the weekend was definitely getting to dance in a tutu though. It’s

I’ve always felt most comfortable and in my element in a ballet studio or theatre. Tutus are my version of every girl’s dream wedding dresses. If I can be a princess or sugarplum fairy or swan in a tutu, I would choose that over anything else any day. So, naturally, when I got to wear a tutu this past weekend, was thrilled. If you think about it, a tutu is a strange thing. But we associate it so much with this concept of beauty and regality that encompasses every aspect of classical ballet that a tutu becomes a symbol of the very thing we dancers work so hard for so many years to attain.

I’ve worked hard and I’ve been lucky enough to have that hard work pay off in the multitude of opportunities I have received over the years. Ballet is no exception. Since 2010, I’ve had the privilege of getting to dance the Sugarplum Fairy in The Nutcracker four different times in various forms. It has become a defining role for me. There’s a regality of character and a gracious beauty woven into the character. Of course, Sugarplum requires a tutu. The other defining role I’ve gotten the chance to dance that required a tutu was Aurora in Sleeping Beauty. I cannot tell you the absolute magic of getting to be on stage as a princess falling in love with her prince while every eye in the audience is on you. It’s a breathtaking moment that is simply unexplainable.

Saying goodbye to that world and that life was one of the hardest things I’ve ever done. I made my peace with it last December when I performed as Sugarplum for the last time. Well, I thought I made my peace with it but now I’m certain that that isn’t quite accurate.

How do you make yourself come to terms with the results of your life decisions? I made the best possible choice I could have made in coming to Georgetown Law. I don’t regret that decision one bit. I only regret that I can’t dance here the same way I could dance before. I regret not having tried harder to audition for companies. I thought I was okay with that, but over and over again I keep finding out that I’m not quite okay. Dancing is a piece of my soul and it feels like that little piece is missing. So how do I reconcile myself with the fact that I’m missing one of the parts that has been so intrinsic in my life for so long? Just teaching and taking the occasional ballet class doesn’t do it. I guess this is where Baltimore Ballet comes in.

I sent them my resume a few weeks back. Not four days later I got a call from them. They said they had a situation where one of their dancers had just dropped out and was not able to perform, and was there any possibility that I could come in on Sundays and fill in for her? I was delighted and instantly said yes; Sundays the one day I have off every week and I am more than happy to spend that one free day rehearsing for a ballet. Since then, every Sunday I’ve been driving up to Baltimore and rehearsing the second act of Swan Lake.

It worked out perfectly. So while I desperately miss dancing in an actual company, I’m slowly figuring out how to incorporate ballet into my life in more creative ways. Isn’t that one of the secrets to life though? Figuring out how to incorporate the things you love in a way that makes your life fuller and more rich in every possible way?

So how do we do that? How do we incorporate the things we love into our lives and fit everything in? I don’t have all the answers and I won’t even pretend to have it all figured out. But thus far what has worked for me, and what I’m hoping will bring about even more results in the near future, is to think creatively and think outside the box. How else would I have been able to find Baltimore Ballet? How else will we be able to attain the lives we want to be living?

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